jeanyoon.ch@oi ~ % cd /oi

Welcome to jeanyoon.ch/oi

Jeanyoon Choi (b.1999) is a Computational Artist researching in interconnectivity and complexity through Multi-Device Web Artworks.

You can learn more about my:

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artworks projects experiments research about texts contact

jeanyoon.ch@oi /oi % cat festival-messenger

Festival Messenger

2022 | HTML

GPS based messenger with spatial restrictions.

Spatial-restricted messenger. The receiver can open a message only at the point where the sender had designated it to do so. Consists of an experimental UI Design, including 100 different interfaces for the loading screen.

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back to ../experiments ../ back to oi

jeanyoon.ch@oi /oi % cd artworks

Interactive Multi-Device Web Artworks where audiences interact with surrounding screens and projections from their own mobile phones.

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『Banpo-Xism』 (2026)『Ω』 (2025)『SoTA』 (2024)『≠』 (2023)

jeanyoon.ch@oi /oi % cd projects

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Living Geometry (2026) | Artist, Project Manager Projecting the Anthropocene (2024) | Project Manager Passage of Water (2023) | Web Developer, Data Visualisation Mirror Mirror on the Wall (2022–2023) | Team Lead, Unity Developer Oscillating Cultures (2023) | Team Lead, AR Developer LING (2023) | Co-director, Co-producer, Visual Programmer

jeanyoon.ch@oi /oi % cd experiments

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jeanyoon.ch@oi /oi % cd research

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Banpo-Xism: Reprojecting South Korea’s Apartment Republic through Higher-Dimensional Geometry | Under Review SoTA: An Interactive Art Exhibition for Public AI Engagement (2026) | DIS | Honourable Mention Passage of Water: Artistic Exploration of Earth’s Freshwater with Google and NASA (2025) | Leonardo Journal | Cover Article Enumerating Multiplex Juggling Patterns (2019) | Journal of Integer Sequences 22(1), Article 19.1.7

jeanyoon.ch@oi /oi % cd about

Jeanyoon Choi

Jeanyoon Choi (b. 1999) is a Korean computational artist and researcher. He designs and researches multi-device web artworks that reflect the complexity of contemporary socio-technological systems, including AI, algorithmic culture, and economic structures. By interconnecting mobile devices and screens, these artworks create provocatively interactive environments. To develop their conceptual foundations, he draws on art, philosophy, and his scientific background, then uses software engineering and design to translate these ideas into interactive experiences.

He holds a BS in Industrial Engineering from Seoul National University and an MA in Information Experience Design from the Royal College of Art, and is currently a PhD candidate at KAIST's Experience Design Lab (XD Lab). He has also taught Computational Design Practices in the Interaction Design Department at K-Arts (Korea National University of Arts). His work has been exhibited internationally at Ars Electronica, Istanbul Digital Arts Festival, IKLECTIK London, Centre Culturel Coréen, and KAIST Art Museum. His papers have been published in the proceedings of ACM DIS and in the Leonardo journal (MIT Press), and he has served as an academic reviewer for ACM TEI, NeurIPS Creative AI, and Digital Creativity.

You can explore my practice through my artworks, research, experiments, projects, and texts:

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CV

jeanyoon.ch@oi /oi % cd texts

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Dimensional Transformation & System Parameterisation (2025)Everyday Interface as Systematic Output (2025)Every Object is part of the System (2025)Also Sprach Zarathustra (2025)From Euclidean to Mandelbrotian - Making System Art 'Natural' (2025)Data Vis and System Parametrisation (2025)Multiple Globes (2025)System Art: Module - Layout and Layers (2025)System Art: Rebellion to the System (2025)Abstraction and System Creation (2025)i' - Multi-User Interaction Scenario, quantum state management (2025)i': ODM - Auto-generating systems (2025)How to build an evolving interactive system art? (2025)Auto-generating auto-generative systems (2025)Explicit Commercial Interface & Implicit User Behaviour Tracking (2025)From Semantic Interaction to Phenomenological Interaction (2025)System Art: Contextual Switch (Generatable Automatic Systems) (2025)System Art: Generative-X, Generative Simulacra (2025)System Art: Visual State and System State (2025)System Art: Progressive Storytelling vs. State-Based Approach (2025)System Art: The Elephant and the Blind (2025)Broadly defining the term 'Data Visualisation' (2025)Button-based interaction, amplified interaction, and Mobile Jockey (2025)System Art: The age of Generated-Automated System (2025)Semantic Interaction: Dimensional Transformation (2025)Two-Rooms Problem: Creating inter-spatial Multi-Device Web Artwork (2025)Resting is part of the Data - Resting is part of the Art (2025)Dark Matter Berlin vs. Multi-Device Web Artwork (2025)Dadaism for the Algorithm Age (2025)JUNK SITE: The Digital Echo Chamber of AI-Generated Web Spaces (2025)The Individual vs. The System: From Human Professional Services to AI Agents (2025)How to well-design semantical interaction - which users actually care?? (2025)Tech-Art, not Art-Tech (2025)System Dynamics | Depciting the Ecosystem as Multi-Device Web Artwork (MDWA) (2024)Disentanglement and Entanglement (2024)LLM: GUI --> LUI (2024)Data Emotionalisation (2024)Platform Art (2024)Integration of real-world api/real-world data & Collaged Collective World (2024)Perceivable Experience vs. Non-perceivable Experience (2024)Audio-Visual Disentanglement (2024)Behavioural Interface (2024)Brutal Interface/Naked Interface (2024)Human-as-Interface: Human Sliders, Human Mouse (2024)Competition: Relativeness and Absoluteness (2024)Puppet Show and Will-to-Power (2024)Two-Rooms Problem: Interrogation Room (2024)Proposal - The Innovative-Interactive-Immersive-Inspirational Metaverse (2024)My Interpretation of Hyperobject: Accelerating Interactionn (2024)Research for Omega - The Hallucination of Vectorisation (2024)Simple Interaction-based Immersiveness (2024)Real-Time Archiving Art (2024)Hacking Systems: More Primitive than a Game (2024)Two simple experiment ideas using multi-modality (2024)De-semantising Semantics (2024)A Psychology behind sneak-peeking other's AVOD in airplanes (2024)Against Rounded Personality - The Lonely Crowd by David Riesman (2024)Procrustesing Time (2024)How everyone is obsessed with Base Interest Rates and how I am obsessed with making an experience out of such an obsession (2024)Creating Monochrome Digital Paintings out of ChatGPT (2024)Conducting Screens: A possible approach to Multi-Device Web Artwork (2024)Platform Art: A Modular Approach (2024)Why I started writing (2024)

jeanyoon.ch@oi /oi % cd contact

You can get in touch with me through following channels:

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LinkedIn Instagram KAIST XD Lab jeanyoon.choi@kaist.ac.kr ericggul@gmail.com CV