# 3차원의 규칙은 2차원의 혼돈

Canonical URL: https://jeanyoon.ch/oi/texts/banpo-xism-artist-notes-2025-12-26
Type: essay / research note
Author: Jeanyoon Choi (최정윤)
Date: 2025-12-26

## Full text

Mobile

A frame-within-frame structure (Nam June Paik's The More, the Better?). -ism, -ism-ism, -ism-ism-ism, -ism-ism-ism-ism? (The expansion of ideology.) I need to think about what 1) signs, 2) texts, 3) interactions are possible on the expanded phone. Think about perspective?

The mobile Reels screen: near-identical apartments keep appearing, but every price is different. These apartments should take after Warhol's minimal marginal difference, the Campbell's Soup Cans.

APT

Apt as particle: TouchDesigner particles, parametric architecture. But not just a decorative, visual particle. Particle with CONTEXT: an interactive context. The question is: how to NATURALLY induce this context? (Both mobile + MW.) How to design an interactive system well, cohesive both contextually and visually? (Mobile + 3D.)

In the end, what do I want to express? The problem of dimension.

Banpo-Xism = Banpo + Xi (L, B): a castrated two dimensions. And on the two-dimensional plane a hierarchy exists (like the rules of Flatland). What makes escape from it possible is the third dimension.
- Rules in three dimensions -> chaos in two dimensions (the collapse of the Banpo-Xism hierarchy).
- Rules in four dimensions -> chaos in three dimensions.

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Jeanyoon Choi (최정윤) is a Korean computational artist and researcher (b. 1999), PhD candidate at KAIST XD Lab, making multi-device web artworks. Profile: https://jeanyoon.ch/oi. Index: https://jeanyoon.ch/llms.txt.