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https://jeanyoon.ch/artworks/banpo-xism/7.webp https://jeanyoon.ch/artworks/banpo-xism/8.webp https://jeanyoon.ch/artworks/banpo-xism/9.webp https://jeanyoon.ch/artworks/banpo-xism/10.webp https://jeanyoon.ch/artworks/banpo-xism/11.webp https://jeanyoon.ch/artworks/banpo-xism/12.webp https://jeanyoon.ch/artworks/banpo-xism/13.webp https://jeanyoon.ch/artworks/banpo-xism/14.webp https://jeanyoon.ch/artworks/banpo-xism/15.webp https://jeanyoon.ch/artworks/banpo-xism/16.webp Banpo-Xism (2026) — Jeanyoon Choi https://jeanyoon.ch/artworks/banpo-xism/1.webp 『Banpo-Xism』 (반포자이즘) addresses South Korea’s apartment culture as a contemporary myth in which location and brand operate as coordinates of wealth, status, and aspiration. The work translates this into a multi-device web artwork in which audience mobile phones are synchronized with surrounding screens. Audiences first scroll through an SNS-like feed of fictional apartment complexes arranged by location and brand. Each scroll updates the surrounding screens as a step toward higher coordinates, while remaining confined to a flat apartment plane. Later, mobile interactions collectively deform this field into higher-dimensional geometric forms, shifting coordinates, prices, and textual hierarchies across the installation. Thus, 『Banpo-Xism』 makes social myth visible as a coordinate system audiences enter, perform, and destabilize. https://jeanyoon.ch/oi/artworks/banpo-xism/ko https://jeanyoon.ch/artworks/banpo-xism/1.webp https://jeanyoon.ch/artworks/banpo-xism/2.webp https://jeanyoon.ch/artworks/banpo-xism/3.webp https://jeanyoon.ch/artworks/banpo-xism/4.webp https://jeanyoon.ch/artworks/banpo-xism/5.webp https://jeanyoon.ch/artworks/banpo-xism/6.webp https://jeanyoon.ch/artworks/banpo-xism/7.webp https://jeanyoon.ch/artworks/banpo-xism/8.webp https://jeanyoon.ch/artworks/banpo-xism/9.webp https://jeanyoon.ch/artworks/banpo-xism/10.webp https://jeanyoon.ch/artworks/banpo-xism/11.webp https://jeanyoon.ch/artworks/banpo-xism/12.webp https://jeanyoon.ch/artworks/banpo-xism/13.webp https://jeanyoon.ch/artworks/banpo-xism/14.webp https://jeanyoon.ch/artworks/banpo-xism/15.webp https://jeanyoon.ch/artworks/banpo-xism/16.webp Banpo-Xism (반포자이즘) (2026) — Jeanyoon Choi https://jeanyoon.ch/artworks/banpo-xism/1.webp 최정윤의 『Banpo-Xism』(2026)은 한국의 아파트 문화에서 입지와 브랜드가 부와 지위의 좌표로 작동하는 방식을 탐구하는 인터랙티브 멀티 디바이스 웹 아트워크입니다. https://jeanyoon.ch/oi/artworks/omega https://jeanyoon.ch/artworks/omega/1.webp https://jeanyoon.ch/artworks/omega/2.webp https://jeanyoon.ch/artworks/omega/3.webp https://jeanyoon.ch/artworks/omega/4.webp https://jeanyoon.ch/artworks/omega/5.webp https://jeanyoon.ch/artworks/omega/6.webp https://jeanyoon.ch/artworks/omega/7.webp https://jeanyoon.ch/artworks/omega/8.webp https://jeanyoon.ch/artworks/omega/9.webp https://jeanyoon.ch/artworks/omega/10.webp https://jeanyoon.ch/artworks/omega/11.webp https://jeanyoon.ch/artworks/omega/12.webp https://jeanyoon.ch/artworks/omega/13.webp https://jeanyoon.ch/artworks/omega/14.webp https://jeanyoon.ch/artworks/omega/15.webp Ω (2025) — Jeanyoon Choi https://jeanyoon.ch/artworks/omega/1.webp 『Ω』 is an interactive, multi-device web artwork that critiques the vectorisation of human identity, specifically the MBTI craze in Korea. Initially, the audience engages with a GPT-based MBTI test via mobile, constructing a cylindrical 3D vector space on surrounding screens. However, the experience shifts as phones are accidentally shaken. Realising that these tremors trigger glitches, users actively shake their devices until the ordered system tilts and collapses. This deconstruction captures shaken, low-fidelity images of the audience, overwriting the polished AI simulacrum. 『Ω』 thus acts as a playful disruption, reclaiming undefinable human subjectivity from the panopticon of algorithmic classification. https://jeanyoon.ch/oi/artworks/omega/ko https://jeanyoon.ch/artworks/omega/1.webp https://jeanyoon.ch/artworks/omega/2.webp https://jeanyoon.ch/artworks/omega/3.webp https://jeanyoon.ch/artworks/omega/4.webp https://jeanyoon.ch/artworks/omega/5.webp https://jeanyoon.ch/artworks/omega/6.webp https://jeanyoon.ch/artworks/omega/7.webp https://jeanyoon.ch/artworks/omega/8.webp https://jeanyoon.ch/artworks/omega/9.webp https://jeanyoon.ch/artworks/omega/10.webp https://jeanyoon.ch/artworks/omega/11.webp https://jeanyoon.ch/artworks/omega/12.webp https://jeanyoon.ch/artworks/omega/13.webp https://jeanyoon.ch/artworks/omega/14.webp https://jeanyoon.ch/artworks/omega/15.webp Ω (오메가) (2025) — Jeanyoon Choi https://jeanyoon.ch/artworks/omega/1.webp 최정윤의 『Ω』(2025)는 MBTI를 비롯해 인간의 정체성을 벡터와 유형으로 환원하는 알고리즘적 분류를 비판하는 인터랙티브 멀티 디바이스 웹 아트워크입니다. https://jeanyoon.ch/oi/artworks/sota https://jeanyoon.ch/artworks/sota/1.webp https://jeanyoon.ch/artworks/sota/2.webp https://jeanyoon.ch/artworks/sota/3.webp https://jeanyoon.ch/artworks/sota/4.webp https://jeanyoon.ch/artworks/sota/5.webp https://jeanyoon.ch/artworks/sota/6.webp https://jeanyoon.ch/artworks/sota/7.webp https://jeanyoon.ch/artworks/sota/8.webp https://jeanyoon.ch/artworks/sota/9.webp https://jeanyoon.ch/artworks/sota/10.webp https://jeanyoon.ch/artworks/sota/11.webp https://jeanyoon.ch/artworks/sota/12.webp https://jeanyoon.ch/artworks/sota/13.webp https://jeanyoon.ch/artworks/sota/14.webp https://jeanyoon.ch/artworks/sota/15.webp SoTA (2024) — Jeanyoon Choi https://jeanyoon.ch/artworks/sota/1.webp 『SoTA』 is an interactive XAI Multi-Device Web Artwork. Audience’s phone initially navigates a 3d visualisation of 118 neural networks; when they leave, all screens erupt into chaotic monochrome patterns, exposing AI’s drift from human comprehension toward “AI for AI’s sake”. https://jeanyoon.ch/oi/artworks/sota/ko https://jeanyoon.ch/artworks/sota/1.webp https://jeanyoon.ch/artworks/sota/2.webp https://jeanyoon.ch/artworks/sota/3.webp https://jeanyoon.ch/artworks/sota/4.webp https://jeanyoon.ch/artworks/sota/5.webp https://jeanyoon.ch/artworks/sota/6.webp https://jeanyoon.ch/artworks/sota/7.webp https://jeanyoon.ch/artworks/sota/8.webp https://jeanyoon.ch/artworks/sota/9.webp https://jeanyoon.ch/artworks/sota/10.webp https://jeanyoon.ch/artworks/sota/11.webp https://jeanyoon.ch/artworks/sota/12.webp https://jeanyoon.ch/artworks/sota/13.webp https://jeanyoon.ch/artworks/sota/14.webp https://jeanyoon.ch/artworks/sota/15.webp SoTA (소타) (2024) — Jeanyoon Choi https://jeanyoon.ch/artworks/sota/1.webp 『SoTA』(2024)는 최정윤과 공동 제작자들이 인공지능의 구조와 인간의 이해 사이의 관계를 탐구하는 인터랙티브 멀티 디바이스 웹 아트워크입니다. 관객은 휴대전화로 118개 신경망 구조의 3차원 시각화를 탐색합니다. https://jeanyoon.ch/oi/artworks/not-equal https://jeanyoon.ch/artworks/not-equal/1.webp https://jeanyoon.ch/artworks/not-equal/2.webp https://jeanyoon.ch/artworks/not-equal/3.webp https://jeanyoon.ch/artworks/not-equal/4.webp https://jeanyoon.ch/artworks/not-equal/5.webp https://jeanyoon.ch/artworks/not-equal/6.webp https://jeanyoon.ch/artworks/not-equal/7.webp https://jeanyoon.ch/artworks/not-equal/8.webp https://jeanyoon.ch/artworks/not-equal/9.webp https://jeanyoon.ch/artworks/not-equal/10.webp ≠ (Nonequality) (2023) — Jeanyoon Choi https://jeanyoon.ch/artworks/not-equal/1.webp 『≠ (Nonequality)』 is an interactive Multi-Device Web Artwork arguing that the world cannot be comprehended solely with equations. https://jeanyoon.ch/oi/artworks/not-equal/ko https://jeanyoon.ch/artworks/not-equal/1.webp https://jeanyoon.ch/artworks/not-equal/2.webp https://jeanyoon.ch/artworks/not-equal/3.webp https://jeanyoon.ch/artworks/not-equal/4.webp https://jeanyoon.ch/artworks/not-equal/5.webp https://jeanyoon.ch/artworks/not-equal/6.webp https://jeanyoon.ch/artworks/not-equal/7.webp https://jeanyoon.ch/artworks/not-equal/8.webp https://jeanyoon.ch/artworks/not-equal/9.webp https://jeanyoon.ch/artworks/not-equal/10.webp ≠ (Nonequality) (2023) — Jeanyoon Choi https://jeanyoon.ch/artworks/not-equal/1.webp 최정윤의 『≠ (Nonequality)』(2023)는 세계를 등식만으로 이해할 수 없다는 문제의식에서 출발한 4채널 인터랙티브 멀티 디바이스 웹 아트워크입니다.